Excerpt Details
Excerpt: The ion is the shortest, or nearly the shortest, of all the writings which bear the name of Plato, and is not authenticated by any early external testimony. The grace and beauty of this little work supply the only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the transparent vanity and childlike enthusiasm of the rhapsode Ion. The theme of the Dialogue may possibly have been suggested by the passage of Xenophon?s Memorabilia in which the rhapsodists are described by Euthydemus as ?very precise about the exact words of Homer, but very idiotic themselves.?...

Description Details
Dialogue format between three great philosophers. Two German and one Buddhist monk from 200 AD India.

Excerpt Details
Nāgārjuna talks directly to Martin Heidegger. Martin, you had Parmenides and impossibility of thinking of non-Being. Supposedly, he wrote: “neither could you know what is not nor could you declare it”. Indeed, the rest of the western philosophical history is: Plato’s dialogue the Sophist and stranger’s position about non-Being and the simple discussion of the semantics of non-Being; or Hegel’s view of non-Being in the Science of Logic which is only thought in the general context of progress of the methodology of the “circles of circles”. No wonder your remarks that “nothing nothings” (Das Nichts nichtet) is often thought of as your confusions. You started off with a chair with only one leg and that was unbalanced – this is the western approach which you had to deal with metaphysically. You got stuck too....

Table of Contents Details
Dramatis personas: Martin Heidegger (1889-1976) owner of the ‘Die Hütte’. Friedrich Nietzsche (1844-1900) Archaya Nagarjuna 2-3th century AD Buddhist author of Fundamental Verses on the Middle Way (Mulamadhyamakakarika). Mādhyamaka Siddhartha Gautama, the Buddha (563-483 BC). Socrates (Greek philosopher, 469 BC to 399 BC). Plato (424BC - 348 BC), Greek philosopher who re-wrote the Republic seven time over. Narrator...

Description Details
The Theory Of Interpretive Relativity: A Unified Map Of Literary Theory is a comprehensive study organizing and mapping all literary interpretive theory, from classical philosophy to postmodern theory, into one formulaic model. Interpretive Relativity uses, for its method of organizational strategy, the philosophy of relativism to explain how all theoretical interpretation compliment one another rather than contradict one another. This thesis uses extensive graphs and illustrations to aid in the visualization of how mapping theoretical interpretations is possible. The piece of literature, work of art, that is used through out the study is Shakespeare’s Hamlet. In other words, this thesis show how the philosophy of Einstein’s general theory of relativity could be applied to Hamlet....

Excerpt Details
“The long concatenations of simple and easy reasoning which geometricians use in achieving their most difficult demonstrations gave me occasion to imagine that all matters which may enter the human mind were interrelated in the same fashion.” -- René Descartes ...

Table of Contents Details
I. INTRODUCTION: MATHEMATICAL CONSTRUCT STRATEGIES FOR GRAPHING LITERARY INTERPRETATION THEORIES INTO A VISUAL FIGURE, DEFINING TERMS 1 II. MAPPING LITERARY THEORY: DEFINING THE BODY OF LITERATURE, Ln, AND MESSAGE, EMBODIED IN ART, Ln 10 III. FORMING THE X AXIS: SETTING VALUES FOR X AS SIGN, SIGNIFICATION, AND SIGNAL (X1, X2, X3) 18 X1: Sign, Encoding Meaning 21 X2: Signification: The Three Aspects to the Value X2, Concept in a Medium, X21, X22, X23 23 X3: Signal, Decoding Meaning Plotting the 2s OF B’s X31, X32, X33 30 IV. FORMING THE Y AXIS: THE AUDIENCE’S INFINITE MULTIFARIOUS “REALIZATION” 36 The Search for 1: The Messenger and the Author 38 Y 1: The Author’s text 45 Y 2: The Text 50 Y 3: The World 54 Y 4: The Reader 57 V. FORMING THE Z AXIS: VALUES FOR Z, APPLIED RHETORICAL IDEOLOGY 65 Z 1: Marxist Literary Criticism 67 Z 2: Deconstruction Criticism 71 Z 3: Multicultural Literary Criticism 77 Z 4: Psychoanalytic Literary Criticism 80 Z 5: Liberation Literary Criticism 84 VI. CONCLUSION 87...

Description Details
This study examines the links between science, philosophy, and military theory. The author uses two case studies to demonstrate the links between these disciplines. He presents an overview on the rise of Newtonian science, and he examines how the key frameworks and concepts of that science became interwoven into Western civilization to affect its philosophy with an emphasis on its interpretation by the German Romanticist philosopher Immanuel Kant. He then shows how Newtonian science and Kant’s philosophy affected the military theory of Carl von Clausewitz. His second case study concerns the theory and philosophy of evolution developed by British philosopher Herbert Spencer and its influence on the military theory of J. F. C. Fuller. The author compares these two case studies to find commonalities between them that suggest a mechanism which explains how and why scientific theory and their philosophical interpretations eventually influence military theory. The author then uses this mechanism as a tool with which “new” sciences such as quantum mechanics, relativity, and complexity theory can be evaluated to see if and in what manner t...

Table of Contents Details
INTRODUCTION . . . . 1 THE RISE OF NEWTONIAN SCIENCE . . . . . 5 KANT . . . . 15 CLAUSEWITZ . . . . 21 SPENCER AND FULLER . . . . . 29 THE PATH FROM SCIENCE TO PHILOSOPHY TO MILITARY THEORY . . . . 39 THE NEW SCIENCES AND THEIR IMPLICATIONS FOR MILITARY THEORY . . . . . 47 BIBLIOGRAPHY . . . . 59...

Excerpt Details
Excerpt: GEORGIC I What makes the cornfield smile; beneath what star Maecenas, it is meet to turn the sod Or marry elm with vine; how tend the steer; What pains for cattle-keeping, or what proof Of patient trial serves for thrifty bees;-- Such are my themes....

Table of Contents Details
Contents THE GEORGICS............................................................................3 GEORGIC I.....................................................................................3 GEORGIC II...............................................................................18 GEORGIC III.............................................................................35 GEORGIC IV...............................................................................51 THE ECLOGUES................................................................................68 ECLOGUE I..................................................................................68 ECLOGUE II................................................................................72 ECLOGUE III...............................................................................75 ECLOGUE IV...............................................................................82 ECLOGUE V.................................................................................84 ECLOGUE VI...............................................................................88 ECLOGUE VII....................

Description Details
Pope’s Essay on Man, a masterpiece of concise summary in itself, can fairly be summed up as an optimistic enquiry into mankind’s place in the vast Chain of Being. Each of the poem’s four Epistles takes a different perspective, presenting Man in relation to the universe, as individual, in society and, finally, tracing his prospects for achieving the goal of happiness. In choosing stately rhyming couplets to explore his theme, Pope sometimes becomes obscure through compressing his language overmuch. By and large, the work is a triumphant exercise in philosophical poetry, communicating its broad and commonplace truths in superbly balanced phrases which remind us that Pope, alas, is one of the most quoted but least read writers in English: “Hope springs eternal in the human breast: Man never is, but always To be Blest.” (Summary by Martin Geeson)...

Excerpt Details
Literature, Poetry, Religion

Excerpt Details
Excerpt: Preface to Fanny?s First Play. Fanny?s First Play, being but a potboiler, needs no preface. But its lesson is not, I am sorry to say, unneeded. Mere morality, or the substitution of custom for conscience was once accounted a shameful and cynical thing: people talked of right and wrong, of honor and dishonor, of sin and grace, of salvation and damnation, not of morality and immorality. The word morality, if we met it in the Bible, would surprise us as much as the word telephone or motor car. Nowadays we do not seem to know that there is any other test of conduct except morality; and the result is that the young had better have their souls awakened by disgrace, capture by the police, and a month?s hard labor, than drift along from their cradles to their graves doing what other people do for no other reason than that other people do it, and knowing nothing of good and evil, of courage and cowardice, or indeed anything but how to keep hunger and concupiscence and fashionable dressing within the bounds of good taste except when their excesses can be concealed....

Excerpt Details
Excerpt: Chapter 1. The Levins had been three months in Moscow. The date had long passed on which, according to the most trustworthy calculations of people learned in such matters, Kitty should have been confined. But she was still about, and there was nothing to show that her time was any nearer than two months ago. The doctor, the monthly nurse, and Dolly and her mother, and most of all Levin, who could not think of the approaching event without terror, began to be impatient and uneasy. Kitty was the only person who felt perfectly calm and happy....

Excerpt Details
Excerpt: The Book of Nehemiah, the Sixteenth Book of the King James Version of the Bible.

Excerpt Details
Excerpt: The Divine Comedy, Volume Two, Purgatory [Purgatorio] by Dante Aligheri, trans Charles Eliot Norton.

Table of Contents Details
Contents PURGATORY................................................................... 6 CANTO I. Invocation to the Muses.?Dawn of Easter on the shore of Purgatory.?The Four Stars.?Cato.?The cleansing of Dante from the stains of Hell. ............................................................................................................ 6 CANTO II. Sunrise.?The Poets on the shore.?Coming of a boat, guided by an angel, bearing souls to Purgatory.? Their landing.?Casella and his song.?Cato hurries the souls to the mountain. ................................. 10 CANTO III. Ante-Purgatory.?Souls of those who have died in contumacy of the Church.? Manfred. ............. 13 CANTO IV. Ante-Purgatory.?Ascent to a shelf of the mountain.?The negligent, who postponed repentance to the last hour.?Belacqua. ..................................................................................................................................... 16 CANTO V. Ante-Purgatory.?Spirits who had delayed repentance, and met with death by violence, but died repentant.?Jacopo del Cassero.?Buonconte da Montefeltro?Via de? Tolomei. ................................

Excerpt Details
Introduction: ?For this my son was dead, and is alive again; he was lost; and is found.? He was lost by the Norton-Harjes Ambulance Corps. He was officially dead as a result of official misinformation....

Excerpt Details
Excerpt: Salammbo by Gustave Flaubert.

Excerpt Details
Introduction: Queen Elizabeth herself, and London as it was in her time, with sketches of Elizabethan England, and of its great men in the way of social dignity, are here brought home to us by Paul Hentzner and Sir Robert Naunton....

Excerpt Details
Excerpt: Chapter 1. The Karenins, husband and wife, continued living in the same house, met every day, but were complete strangers to one another. Alexey Alexandrovitch made it a rule to see his wife every day, so that the servants might have no grounds for suppositions, but avoided dining at home. Vronsky was never at Alexey Alexandrovitch?s house, but Anna saw him away from home, and her husband was aware of it....

Excerpt Details
Excerpt: Taras Bulba and Other Tales by Nikolai Vasilievich Gogol.

Table of Contents Details
Contents INTRODUCTION ............................................................ 4 TARAS BULBA.............................................................. 13 ST. JOHN?S EVE ......................................................... 130 THE CLOAK ................................................................ 146 HOW THE TWO IVANS QUARRELLED .................. 176 THE MYSTERIOUS PORTRAIT ................................ 223 THE CALASH .............................................................. 270...

Excerpt Details
Excerpt: Wilhelm Tell by Johann Christoph Freidrich von Schiller, translated by Theodore Martin.

Description Details
THE SIXTY-SECOND BOOK OF THE HOLY BIBLE CONTAINING THE OLD AND NEW TESTAMENTS TRANSLATED OUT OF THE ORIGINAL TONGUES AND WITH THE FORMER TRANSLATIONS DILIGENTLY COMPARED & REVISED SET FORTH IN 1611 AND COMMONLY KNOWN AS THE KING JAMES VERSION ...

Excerpt Details
Excerpt: Chapter 1. That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life -- 2. (For the life was manifested, and we have seen it, and bear witness, and shew unto you that eternal life, which was with the Father, and was manifested unto us;) -- 3 That which we have seen and heard declare we unto you, that ye also may have fellowship with us: and truly our fellowship is with the Father, and with his Son Jesus Christ -- 4. And these things write we unto you, that your joy may be full -- 5. This then is the message which we have heard of him, and declare unto you, that God is light, and in him is no darkness at all -- 6. If we say that we have fellowship with him, and walk in darkness, we lie, and do not the truth -- 7 But if we walk in the light, as he is in the light, we have fellowship one with another, and the blood of Jesus Christ his Son cleanseth us from all sin....

Excerpt Details
Excerpt: Preface to Major Barbara: First Aid to Critics by George Bernard Shaw.

Excerpt Details
Excerpt: The Divine Comedy, Volume One, Hell [The Inferno] by Dante Aligheri, trans Charles Eliot Norton.

Table of Contents Details
Contents INTRODUCTION .................................................................................................................7 AIDS TO THE STUDY OF THE DIVINE COMEDY .......................................................... 14 HELL .............................................................................. 16 CANTO I. Dante, astray in a wood, reaches the foot of a hill which he begins to ascend; he is hindered by three beasts; he turns back and is met by Virgil, who proposes to guide him into the eternal world. ....................................... 16 CANTO II. Dante, doubtful of his own powers, is discouraged at the outset.?Virgil cheers him by telling him that he has been sent to his aid by a blessed Spirit from Heaven.?Dante casts off fear, and the poets proceed. ................ 19 CANTO III. The gate of Hell.?Virgil lends Dante in.?The punishment of the neither good nor bad.?Aeheron, and the sinners on its bank.?Charon.?Earthquake.?Dante swoons. ................................................................. 22 CANTO IV. The further side of Acheron.?Virgil leads Dante into Limbo, the First Circle of Hell, cont...

Excerpt Details
Excerpt: ACT I. (SCENE.--A large room looking upon a garden door in the left-hand wall, and two in the right. In the middle of the room, a round table with chairs set about it, and books, magazines and newspapers upon it. In the foreground on the left, a window, by which is a small sofa with a work-table in front of it. At the back the room opens into a conservatory rather smaller than the room. From the right-hand side of this, a door leads to the garden. Through the large panes of glass that form the outer wall of the conservatory, a gloomy fjord landscape can be discerned, half-obscured by steady rain....