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Seventy-three poems in translation.

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Resignation Nevermore After Three Years Wish Lassitude My Familiar Dream Parisian Sketch Twilight of a Mystical Evening Dusk The Nightingale Woman And Cat Song Of The Artless Ones Serenade Claire De LunePantomime Out Walking The Innocents Her Retinue The Sea-Shells Puppets Cythera Aboard The Faun Mandoline To Clymène Columbine Cupid Overthrown Muted Sentimental Conversation In Her Dress…. Before You Leave, Pale… The Moon, White… A Saint In His Aureole…. Home, The Lamp’s Circumscribed Glow I Was Almost Afraid…. The Noise From Bars…. Is It Not So?…. It’s Languorous Ecstasy It Rains In My Heart… You See We Need… The Piano Kissed… Oh Sad, Sad… Through Interminable Land… The Shadow of Trees… Walcourt Charleroi Brussels: Wooden Horses Mechelen I See You, Still… Green Spleen A Poor Young Shepherd Streets – Dansons La Gigue! Streets – O La Rivière Dans La Rue! Beauty Of Women…. No. It was Gallican…. Hear The Sweetest Song…. I Came, Calm, An Orphan…. The Sky’s Above The Roof…. Sadness, The Bodily Weariness… Pierrot Poetic Art Languor Circumspection To Madame X… Parsifal Evening...

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Twenty-six sonnets by Luis de Góngora y Argote.

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‘When, at the rising of the sun, my nymph’ To A Rose To A Very Pale Lady Dressed in Green ‘With such distinction, such grace’ ‘What, out of ivory from the Ganges,’ A Lady’s Tears and Sighs ‘Sacred temple of pure honesty,’ ‘From the crystal of your divine hand’ Inscription for El Greco’s Tomb To A White Poplar Grove To The Court Ladies asking Favour for Andalusian Gallants ‘Lovely and illustrious Maria,’ ‘The sweet mouth that invites you to taste’ ‘The white lilies, children of the Sun,’ Of Human Ambition On the Deceptive Brevity of Life ‘While yet in competing with your hair,’ ‘No ship, wrecked on some harsh reef,’ ‘Oh, bright honour of the liquid element,’ To Cordoba To The Quadalquivir Of a Lady Pricked by a Ring To A Girl, Now Become a Beautiful Lady To Memory: Of Death and Hell To A Grove of White Poplars ‘Green rushes of the kindly Douro wove’ Index of First Lines...

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A book of poems written by Florentin Smarandache whilst he was experiencing a dark time in life.

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EPILOGUE I leave you with my poems. Feel through me! I have achieves this volume in three years, but read it in T E N! It is a hut from the outside, and maybe a castle inside. (this volume holds connections with the earth!) The book has me between its covers - but now it is in its agony: ...

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Motto - 6 SHORT (AUTO)BIOGRAPHY - 7 THE MANIFESTO – PROGRAM - 9 =INAPPROPRIATE WORDS MADE APPROPRIATE= - 17 PEOPLE ARE FLYING THROUGH PEOPLE - 18 THE PHILOSOPHY OF PSYCHOLOGY - 19 OLD AGE WITHOUT YOUTH - 20 SCIENCE AND ART - 21 THIS OTHER WORLD - 22 VIVE LA PAIX! - 23 A NEEDED DRUG - 24 WESTERN POETRY - 25 PAZVANTE THE BLIND - 26 PHYSICAL EDUCATION / OF THE NERVES - 27 GEORGE DEVIL - 28 AT WORK: / WOMEN WITHOUT WORK - 29 ANTI-POEM OF LOVE - 30 ON WIMBLEY, IN BĂNIE - 31 COURSE OF GERMAN LANGUAGE - 33 FUSS WITH FISH – 34 PORTRAIT OF A GIRL - 35 SHE AND HE - 36 VIBRATIONS ON A SENSITIVE STRING - 37 A POSITIVE MINUS - 38 FRAGMENT OF FRAGMENT - 39 THE UNREAL IS REALITY - 40 BUREAUCRACY - 41 I LIVED MY LIFE / THE DYING WAY - 42 THE FIGHT OF OPPOSITES - 43 GO AHEAD, PLEASE! - 44 THEATER IN ABSURD - 45 HEARING AT GOD - 46 CITIZEN EDUCATION - 47 SCENE OF SCENERY - 48 DIALOGUE AT LONG DISTANCE - 49 THEATER ACTING - 50 DEMETER HAS DIED - 51 I EXIST AGAINST MYSELF - 52 ALLOW ME TO BE MYSELF - 53 CRIME WITHOUT PUNISHMENT - 54 LESSON OF PHILOSOPHY - 55 FLYING MANUAL - 56 PEACE TO YOU, LOVE - 57 LONG COUR...

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A new complete translation of his prose Memoirs, Mémoires d’outre-tombe.

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Testamentary Preface 1833 Book I Childhood 1768-1777 Book II Boyhood 1777-1784 Book III Adolescence, Combourg 1784-1786 Book IV Regiment, Court, Paris 1786-1789 Book V Revolution 1789-1791 Book VI To America 1791 Book VII Travels in New York State 1791 Book VIII Kentucky, Virginia, Return to France 1791-1792 Book IX With the Army of the Princes 1792 Book X Exile in England 1793-1797 Book XI First Literary Works 1798-1799 Book XII England, and Return to France 1799-1800 Book XIII Literary Fame 1800-1803 Book XIV Travels in the Midi, Napoleon, Rome 1802-1803 Book XV The Death of Madame de Beaumont, Rome 1803-1804 Book XVI The Execution of the Duc d’Enghien 1804 Book XVII Travels in the Auvergne, The Death of Lucile 1804-1805 Book XVIII The Levant, Armand, Les Martyrs 1806-1814 Book XIX Napoleon: Early Life, Italy, Egypt, 18th Brumaire: to 1800 Book XX Napoleon: Italy, Germany, Spain, The Papal States: to 1812 Book XXI Napoleon: Russia - Invasion and Retreat: to 1813 Book XXII Napoleon - Defeat and Exile: to 1815 Book XXIII Napoleon - The Hundred Days: 1815 Book XXIV Napoleon - St Helena: 1815-1821...

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A selection of his poetry including early poems, Les Illuminations and Une Saison En Enfer both complete, and an extract from the 'Voyant' Letter.

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First Evening.........................6 Sensation..........................8 The Blacksmith........................9 Sun and Flesh........................17 Ophelia..........................23 Ballad of the Hanged .....................26 Romance ..........................28 Eighteen Seventy ......................30 Rage of The Caesars .....................31 The Famous Victory of Saarbrucken...............32 A Winter Dream.......................33 Evil............................34 My Bohemia: A Fantasy....................35 At The Green Inn ......................36 The Sly Girl.........................37 The Sleeper in the Valley...................38 Evening Prayer.......................39 My Little Lovers .......................40 Poets at Seven Years.....................42 The Stolen Heart .......................45 The Parisian Orgy, or Paris Repeopled ..............46 Jeanne-Marie’s Hands.....................49 The Sisters of Charity .....................52 First Communions......................54 What One Says to the Poet on the Subject of Flowers ........60 The Seekers of Lice .....................66 ...

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A complete collection of the poems of William Blake. Blake (1757-1827) was an English poet, engraver, and painter. Early in his life, his unique and deceptively simple poems marked the beginning of Romanticism, particularly those from his volumes Songs of Innocence (1789) and Songs of Experience (1794). Later work evolved into long mythological pieces informed by visions Blake claimed to have throughout his life. This volume collects all his poetic output, including those unfinished fragments in manuscript form....

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The Tyger Tyger Tyger, burning bright, In the forests of the night: What immortal hand or eye, Could frame thy fearful symmetry?   In what distant deeps or skies Burnt the fire of thine eyes! On what wings dare he aspire? What the hand, dare seize the fire?   And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet?   What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp?   When the stars threw down their spears And water’d heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee?   Tyger, Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?...

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Introduction POETICAL SKETCHES To Spring To Summer To Autumn To Winter To the Evening Star To Morning Fair Elenor Song (How sweet I roam'd...) Song (My silks and fine array...) Song (Love and harmony combine...) Song (I love the jocund dance...) Song (Memory, hither come...) Mad Song Song (Fresh from the dewy hill...) Song (When early morn walks forth...) To the Muses Gwin, King of Norway An Imitation of Spenser Blind Man’s Buff King Edward the Third Prologue, Intended for a Dramatic Piece of King Edward the Fourth Prologue to King John A War Song to Englishmen The Couch of Death Contemplation Samson Song 1st by a Young Shepherd Song 2nd by a Young Shepherd Song by an Old Shepherd AN ISLAND IN THE MOON SONG OF INNOCENCE AND EXPERIENCE Songs of Innocence: Introduction The Shepherd The Ecchoing Green The Lamb The Little Black Boy The Blossom The Chimney Sweeper The Little Boy Lost The Little Boy Found Laughing Song A Cradle Song The Divine Image Holy Thursday Night Spring Nurse’s Song Infant Joy A Dream On Anothers Sorrow Songs of Experience: Introduction Earth’s Answer The Clod & ...

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The poems of the Canti below are complete but not in their originally published order. I have taken the liberty of re-arranging them into four groups, Personal (Poems 1-11), Philosophical (12-24), ‘Romantic’ (25-34), and Political (35-41). These categories are not exact, as Leopardi frequently blends elements together in the one poem, but they may help the reader, as they helped me, to adjust to his variations in style. The original published position of each poem is given in Roman numerals in the brackets following the poem’s title....

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1. To Silvia (XXI) 2. The Infinite (XII) 3. The Evening Of The Holiday (XIII) 4. To the Moon (XIV) 5. Saturday Night In The Village (XXV) 6. To Himself (XXVIII) 7. Night-Song Of A Wandering Shepherd of Asia (XXIII) 8. First Love (X) 9. The Solitary Bird (XI) 10. Imitation (XXXV) 11. Scherzo (XXXVI) 12. Moon-Set (XXXII) 13. Wild Broom (XXXIV) 14. The Calm After The Storm (XXIV) 15. Masterful Thought (XXVI) 16. Love And Death (XXVII) 17. Bas-Relief On An Ancient Tomb (XXX) 18. On A Lovely Lady’s Image (XXX1) 19. To Spring (or Of The Ancient Myths) (VII) 20. Hymn To The Patriarchs (VIII) 21. Sappho’s Last Song (IX) 22. To Count Carlo Pepoli (XIX) 23. Fragment (From Simonides I: XL) 24. Fragment (From Simonides II:XLI) 25. The Dream (XV) 26. The Solitary Life (XVI) 27. To His Lady (XVIII) 28. Memories (XXII) 29. The Re-awakening (Il Risorgimento: XX) 30. Consalvo (XVII) 31. Aspasia (XXIX) 32. Fragment (Alcetas and Melissus: XXXVII) 33. Fragment (Separation: XXXVIII) 34. Fragment (Turned to Stone: XXXIX) 35. To Italy (I) 36. On the Proposed Dante Monument in Florence (II) 37. To Angelo Mai (III) 38. F...

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A collection of short prose essays.

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CULTURAL NEWS1 (short prose poem) I queue up at the entry of art. queue for meat, queue for bread (Hurraaah Hurrah How fine is our life!) And I watch how someone builds their tomb in eternity. We beseech you to sit down each as far as possible in literature, we are announced by the hoarse interphone. -No, thanks. I prefer standing up, I find myself answering unquestioned. -But do come, please, come. the poetry is waiting for you - says the interphone, then to me: -Enough, there is no place left, get out....

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About Florentin Smarandache again, by Ion Rotaru 5 Introduction to the Kingdom of Error 9 A few features of the NonExistentialism 10 A common 13 Cultural actuality (short prose - poem) 14 How not to ascend to the High NonSociety 15 News 19 Portrait 20 1st letter of Uncle Vasile the political refugee 21 2nd letter of Uncle Vasile the political refugee 23 3rd letter 25 The letter of Mircea the King-size 26 Leitmotif (short prose without action, without conflict, without subject) 27 Hopes 30 Recollections of which I don’t wish to remember 33 Defect writings (short prose - essay) 35 Introduction in Gibberish 38 Curriculum Vitae 49 The typewriter 50 Landscape with dreams 51 The heroic day of an ordinary man 53 Savu of Lentza 56 Gallant affairs 58 Little history of love (critique short prose) 60 Divorce 62 Uncle Gheorghe’s amazing deeds 64 Genealogy 67 At the swimming place 69 Characterize the character Vitoria Lipan in the novel “The hatchet” 70 RRS 73 Cupboard-which-can-hold-many-people-and-runs-alone-on-railways 74 Shakespeare Alexandru and Beethoven Nicolae 75 Diploma (juridical short prose) 77 Ahmed...

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The selection of poems in this anthology may seem a bit unorthodox for Polish literature experts. I have no degree or expertise in any sort of literary research, which may well be the reason for my bizarre taste as presented here. I have tried my very best to include mainly those poems that are obligatory readings in Polish high schools, so that the English Reader can have the chance to get to know a portion of the choicest Polish poetry that an average Pole has willy-nilly come across in his life (one of the poems happens to be a well-known Christmas carol, even). However, Witkacy’s poem about his portrait company might be an exception to the rule. I have (un)fortunately excluded all the longer though important and well-known poems, since I have my deep and well-grounded doubts whether they would ever get read. Sigh. Again, Ode to Youth by Adam Mickiewicz is an exception and hopefully some will read it. I do realize that for the Modern Reader, it may come as a very odd practice to use the thou-thee-thy forms even in translations of classical poetry. I have made use of them, but only in the earlier poems i.e. since the beginnings...

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To the Young by Adam Asnyk (1838–1897) The brightening flame of truth pursue, Seek to discover ways no human knows. With every secret now revealed to you, The soul of man expands within the new. And God still bigger grows! Although you may the flowers of myths remove, Although you may the fabulous dark disperse, And tear the mist of fancy from above; There’ll be no shortage of new things to love, Farther in the universe. Each epoch has its special goals in store, And soon forgets the dreams of older days. So, bear the torch of learning in the fore, And join the making of new eras’ lore. The House of the Future raise! But trample not the altars of the past! Although you shall much finer domes erect. The holy flames upon the stones still last, And human love lives there and guards them fast, And them you owe respect! Now with the world that vanishes from view, Dragging down the perfect rainbow of delight, Be gently reconciled in wisdom true. Your stars, oh, youthful conquerors, they, too, Will fade into the night!...

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Translator’s note Mother of God Song XXV On Health God’s Plaything Man Fickle To a Corpse When God Is Born, No Power Prevails Vanity My Testament [In Sophie’s Diary] In Verona My Little Song (II) The Tempest To*** Upon the Alps in Splügen 1829 Uncertainty To My Cicerone Ode to Youth [Defend Me from Myself] To the Young Oh, Void Complaints No, Nothing Happened There A Sonnet (One Heart) The End of the 19th Century Hymn to Nirvana Welcome My Beloved Mountains A Portrait Company [I Want No Weeping at My Grave] About the translator...

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Alexander Pope (1688-1744) is widely considered to be the best poet of the Augustan age, and perhaps English verse’s best satirist ever. Pope was mostly self-taught having been denied a formal protestant education because of his family’s Roman Catholic beliefs; he also suffered from the effects of Pott’s disease his entire life, which left him deformed and of small stature never growing past the height of four feet six inches. Despite these challenges, Pope flourished in English society and was likely its first professional literary writer having garnered significant income from the sales of books to the public as opposed to traditional patronages, capitalizing mostly on his excellent translations of Homer and an edited edition of Shakespeare. A close friend of Jonathan Swift in their famous Scriblerus Club, he was quite famous in his time, and while his reputation declined in the 19th century, he is now considered the most canonical poet of his era and the true master of the heroic couplet (followed closely by his predecessor, John Dryden) and English poetic satire. This edition of his poems collects all of his major work, and most...

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from "Essay on Criticism" “Tis hard to say if greater want of skill Appear in writing or in judging ill; But of the two less dangerous is th’ offence To tire our patience than mislead our sense: Some few in that, but numbers err in this; Ten censure wrong for one who writes amiss; A fool might once himself alone expose; Now one in verse makes many more in prose.     ’Tis with our judgments as our watches, none Go just alike, yet each believes his own. In Poets as true Genius is but rare, True Taste as seldom is the Critic’s share; Both must alike from Heav’n derive their light, These born to judge, as well as those to write. Let such teach others who themselves excel, And censure freely who have written well; Authors are partial to their wit, ’tis true, But are not Critics to their judgment too? “    Yet if we look more closely, we shall find Most have the seeds of judgment in their mind: Nature affords at least a glimm’ring light; The lines, tho’ touch’d but faintly, are drawn right: But as the slightest sketch, if justly traced, Is by ill col’ring but the more disgraced, So by false learning is good sens...

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Introduction Ode on Solitude A Paraphrase (On Thomas à Kempis) To the Author of a Poem Entitled Successio The First Book of Statius’s Thebais Imitation of Chaucer Imitation of Spenser: The Alley Imitation of Waller: On a Lady Singing to Her Lute Imitation of Waller: On a Fan of the Author’s Design Imitation of Abraham Cowley: The Garden Imitation of Abraham Cowley: Weeping Imitation of Earl of Rochester: On Silence Imitation of Earl of Dorset: Artemisia Imitation of Earl of Dorset: Phryne Imitation of Dr. Swift: The Happy Life of a Country Parson Pastorals I. Spring; or, Damon II. Summer; or, Alexis III. Autumn; or, Hylas and Ægon IV. Winter; or, Daphne Windsor Forest Paraphrases from Chaucer January and May; or, The Merchant’s Tale The Wife of Bath The Temple of Fame Translations from Ovid Sappho to Phaon The Fable of Dryope Vertumnus and Pomona An Essay on Criticism Part I Part II Part III Ode for Music on St. Cecilia’s Day Argus The Balance of Europe The Translator On Mrs. Tofts, a Famous Opera-Singer Epistle to Mrs. Blount, with the Works of Voiture Adriani Morientis Ad Animam Epistle to M...

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A new Anthology of 1400 Quotations from the complete works arranged by theme.

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Commands Compassion, Empathy, Mercy and Forgiveness Compliments and their Opposites Conscience and Doubt Constancy, Trust and Faith Courage and Cowardice Crime, Punishment, Justice and the Law Death and Fate Dishonour, Dishonesty, Inconstancy and Betrayal Doctors, Illness, Medicine England and Elsewhere Freedom and Imprisonment Friendship Good Advice and Bad Good Wishes and their Opposites Happiness and Sadness, Humour and Gravity Honour and Honesty Kings and Kingship Journeys and Travel Language and the Arts Learning, Literature, Wit, Wisdom and Foolishness London Love and Jealousy, Hatred and Envy Lust, Desire, Passion, Sexuality Madness and Sanity Magic, Astrology, Superstition, and the Supernatural Men Music, Song and Dance Myths and Fables Nature , Trees, Flowers, Creatures Ownership, Money and Possession Prayers, Pleas, Curses, Threats and Promises Pride and Humility Rank and Status, Power, Order, Custom and Authority Service and Slavery Sleep, Waking, Dreams, Visions and Imagination Sons and Daughters Theatre, Drama and the Stage Time Truths, Truisms, Proverbs and Philosophy War and Co...

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The whole paradoxist distich should be as a geometric unitary parabola, hyperbola, ellipse at the borders between art, philosophy, rebus, and mathematics – which exist in complementariness. The School of Paradoxist Literature, which evolved around 1980s, continues through these bi-verses closed in a new lyric exact formula, but with an opening to essence. For this kind of procedural poems one can elaborate mathematical algorithms and implement them in a computer: but, it is preferable a machine with … soul!...

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I M M O D E S T With the shame Shamelessness U N D E C I D E D Fighting Himself J A Z Z ( I ) Melodious Anarchy J A Z Z ( I I ) Anarchic Melody...

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Fore/word and Back/word _________ 3 The making of the distich : _____ 3 Characteristics: ______________ 3 Historical considerations: _____ 5 Types of Paradoxist distiches ___ 8 1. Clichés paraphrased: ___ 8 2. Parodies: _____________ 8 3. Reversed formulae: ____ 8 4. Double negation _______ 8 5. Double affirmation, ____ 8 6. Turn around on false tracks: _________________ 8 7. Hyperboles (exaggerated): __________________ 8 8. With nuance changeable from the title: ________ 8 9. Epigrammatic: ________ 8 10. Pseudo-paradoxes: ___ 8 11. Tautologies: ________ 9 12. Redundant: _________ 9 13. Based on pleonasms: _ 9 14. or on anti-pleonasms: 9 15. Substitution of the attribute in collocations ___ 9 16. Substitution of the complement in collocations 9 17. Permutation of various parts of the whole: ___ 9 18. The negation of the clichés ______________ 10 19. Antonymization (substantively, adjectively, etc.) ________________ 10 20. Fable against the grain: _________________ 10 21. Change in grammatical category (preserving substitutions’ homonymy): ________________ 10 22. Epistolary or colloquia style: _________...