World Library  
Flag as Inappropriate
Email this Article

Bruce Springsteen with The Seeger Sessions Band Tour

Article Id: WHEBN0005723844
Reproduction Date:

Title: Bruce Springsteen with The Seeger Sessions Band Tour  
Author: World Heritage Encyclopedia
Language: English
Subject: Bruce Springsteen, Bruce Springsteen 1992–1993 World Tour, Soozie Tyrell, Ed Manion, We Shall Overcome: The Seeger Sessions
Publisher: World Heritage Encyclopedia

Bruce Springsteen with The Seeger Sessions Band Tour

Bruce Springsteen with The Seeger Sessions Band Tour
Tour by Bruce Springsteen with The Sessions Band
Associated album We Shall Overcome: The Seeger Sessions
Start date April 20, 2006
End date November 21, 2006
Legs 3
Number of shows 62
Bruce Springsteen with The Sessions Band concert chronology

The Bruce Springsteen with The Seeger Sessions Band Tour, afterward sometimes referred to simply as the Sessions Band Tour, was a 2006 concert tour featuring Bruce Springsteen and The Sessions Band playing what was billed as "An all-new evening of gospel, folk, and blues," otherwise seen as a form of big band folk music. The tour was an outgrowth of the approach taken on Springsteen's We Shall Overcome: The Seeger Sessions album, which featured folk music songs written or made popular by activist folk musician Pete Seeger, but taken to an even greater extent.


  • Itinerary 1
  • The show 2
  • Commercial and critical reaction 3
  • Broadcasts and recordings 4
  • Tour Dates 5
  • Songs performed 6
  • Personnel 7
  • References 8


The tour began on April 20, 2006, with the first of four rehearsal shows at Asbury Park Convention Hall as well as a promotional appearance there on ABC's Good Morning America. Then came a successful performance before a non-Springsteen crowd at the New Orleans Jazz & Heritage Festival on April 30, in a city still recovering from the effects of Hurricane Katrina; Springsteen voiced discontent over government handling of the aftermath of Katrina, much to the satisfaction of the handkerchief-waving audience.[1]

The tour's first proper leg then began in May with 10 regular concerts and one special television concert in Western Europe; the first was at The Point Depot in Dublin on May 5. A return to the United States for the second leg saw 18 concerts from late May to late June, ending at the PNC Bank Arts Center in Holmdel, New Jersey on June 25.

Springsteen said in various languages during the latter stages of the European leg of the tour, "See you in the fall!" Accordingly, the tour's third leg consisted of 27 shows in Europe again, during October and November. This leg was sometimes dubbed The American Land Tour 2006, after a new Springsteen song that was being played as well as the We Shall Overcome: The Seeger Sessions - American Land Edition reissue of the album. It began on October 1 at the PalaMalaguti in Bologna, Italy, and concluded on November 21, 2006 at the Odyssey Arena in Belfast, Northern Ireland. No further American shows took place.

The show

Springsteen and the band performing at the Fila Forum, Milan, Italy on May 12, 2006. This was considered by fans to be one of the best shows of the first leg of the tour.[2]

Material from the Seeger Sessions album dominated the set list of the 2½ hour shows. Especially in the numbers played first, such as "John Henry" and "O Mary Don't You Weep", the typically 18-strong band put up a huge sound, with a four-acoustic-guitar-led rhythm section creating a strong beat, punctuated by plenty of violin, banjo, and trumpet solos as well as multiple false endings.[3][4][5] Audience participation was encouraged for the later "My Oklahoma Home" ("Blown away!")[3] and sing-songey "Pay Me My Money Down", while "Jacob's Ladder" was musically illustrated by three or four key changes. The San Francisco Chronicle wrote, "[Springsteen] used every trick in the trade to make these 100-year-old songs sound bigger than life."[3]

To these album numbers Springsteen added more songs from the same cloth, such as Seeger's "Bring 'Em Home" (cast towards the Iraq War rather than the original Vietnam) and Blind Alfred Reed's "How Can a Poor Man Stand Such Times and Live?" (with Springsteen writing new verses regarding New Orleans and Katrina).

On the first two legs, Springsteen also played from four to eight of his own songs per show. A few were straightforward versions of recent material, such as "Devils & Dust", "Long Time Comin'", and "My City of Ruins". Others were drastically re-arranged takes on old material, such as "Atlantic City", "If I Should Fall Behind" (changed into waltz time[5]), and "Ramrod". The most remarked upon of these was Nebraska's "Open All Night", whose already surreal lyrics about New Jersey's industrial landscape were brought to the level of a "showstopping rave-up"[6] by being rapped against a big band swing arrangement and a pseudo-Andrews Sisters female backing vocal trio.[5][7][8]

On the third, European leg, the enormous reception the band had received earlier in the year was not lost in the larger shows, and with Springsteen's arrangements of over ten of his original works into folk-like performances to add to the ever-expanding repertoire of Seeger-influenced songs. "The Seeger Sessions Band [was] no longer the ragtag collection of fine individual players they were some months ago, but a tight unit here toward the end of the tour — a band," reported.[9] The shows were seen by many to be among Springsteen's absolute best. Late in the American leg, he had debuted the Irish jig-styled "American Land", which now closed many of the European shows. On November 11 at Wembley Arena, the band debuted a new Springsteen composition titled "A Long Walk Home", which was a ballad about the current state of American politics, which a special comments about the just-completed mid-term elections having restored "some semblance of sanity" to the country.[10]

Commercial and critical reaction

Both the album and the tour proved more popular in Europe than in the U.S. The first sign of domestic weakness came when the local Asbury Park rehearsal shows, placed in the very heart of Bruce fandom, were not full;[11] in the past, these had been extremely difficult tickets to get. European shows, on the other hand, did very well, with for example shows in London, Manchester, and Amsterdam all selling out in ten minutes or less.[12] Some of Springsteen's most devoted fans were now overseas, and Milan and Barcelona provided especially fervent crowds, some of whom were mass singing the new album's songs even before the show started.[2]

To increase publicity, AOL broadcast a different song's performance nightly during the American leg of the tour.

When the shows returned to the United States for the second leg, however, mediocre or poor ticket sales became quite noticeable; PopMatters talked of "the bizarre alternate universe that has swallowed Springsteen's strangely under-attended summer tour ... Rambling along languidly in almost clandestine fashion, it may take the prize for the Worst-Pitched Concert of the Summer."[6] The shows were mostly booked in outdoor amphitheatres, and lawn areas as well as sections of seats were often deserted. Springsteen commented to the sparse crowd in Columbus, Ohio, "We are not great in numbers, but we are mighty!"[13] The Indianapolis venue saw a "yawning green lawn (empty as it was)."[6] A Milwaukee area venue, already cut down in size, was only about half full.[14] For a show outside Chicago, The Chicago Tribune reported that "Springsteen faced a sea of empty seats ... The 11,000-seat pavilion was barely half full, and the 17,000-capacity lawn was barren."[7]

Yet despite attendance woes, the U.S. shows received almost universal praise from critics and concert-goers. While they were without the E Street Band and do not include any of Springsteen's biggest hits such as "Born to Run", fans were consistently kept on their feet singing along.

David Hinckley of the New York Daily News wrote of the tour, "In Saratoga Monday night, Springsteen kept a full house on its feet pretty much the whole show. No one left wishing for 'Born to Run'." Joan Anderman of The Boston Globe said that the "homespun symphony of accordions and fiddles, pedal steel guitars, and joyful voices was filled with the irrepressible spirit that's the very essence of folk music." Dan Barry of The New York Times, writing as an old folk music follower, described how "music exploded from the stage: rock and bluegrass, jig and reel, spiritual and swing, honky-tonk and acoustic blues... he raised his audience up with old songs and spirituals that he had infused with rocking urgency, then toyed with so that brass and guitar could harmonize, an accordionist could jam with the Boss, and a tuba player could know rock-concert adulation."[15] The Chicago Tribute review quoted above went on to say, "The no-show Springsteen faithful missed a good one." Newsday said the show had both high points and stumbles.[8] And Reuters' Erik Pederson wrote that even "without 'Born to Run' et al., this was Springsteen at his best – delivering impassioned, interactive, socially conscious music while never failing to entertain."

Explanations for the poor U.S. attendance varied, including two straight records without the E Street Band, aftereffects from the morose solo Devils & Dust Tour the year before, and backlash from the political stances of the Vote for Change tour the year before that. The most common reason offered was the title association with banjo-picking Pete Seeger, and the consequent (mistaken) impression that this tour was going to be dour folk music. As PopMatters said, "At first the idea of enduring a folk-powered evening of Pete Seeger songs made me want to sprint home and smooch my copy of Born in the U.S.A. ... And that's why this Seeger business is such an out-of-left-field surprise: against all odds, it's fantastically fun. Seeger's name is on the ticket, sure, but in Springsteen's hands the music gets an enormous, big-band, horn-powered treatment that can only be explained with commas: gospel, blues, folk, rock, and zydeco."[6]

Everyone stage front, near the end of the show at the PNC Bank Arts Center on June 25, 2006. This was one of the few well-attended shows of the American leg of the tour.

In any case, by the conclusion of the leg, things rebounded. Crowds were bigger and knew the material, and the final two New Jersey shows (which had sold out, although not right away) contained very enthusiastic audiences.[16] Springsteen appeared quite grateful, and thanked the fans for "taking a risk by coming out to see us." He closed out the last American show with a "song that explains what we're trying to do ... not what we're trying to do – what we're doing", the 19th century circus ode and lament, "The Daring Young Man on the Flying Trapeze".[17]

And, when tickets for third leg shows back in Europe went on sale in July, some shows such as those in Dublin sold out within minutes,[18] and others sold out with unprecedented rapidity for music of this genre, usually unseen in arena formats, thus marking again a stark contrast in the tour's reception on the two sides of the Atlantic.

A year later, Springsteen rated the whole experience highly, saying that the Sessions Band were "a tremendous discovery, and just an amazing group of musicians," and saying that he looked forward to working with them again.[19] "American Land" would retain prominence as the accordion-dominated show-closing jig in Springsteen's subsequent E Street Band Magic Tour.[20]

Broadcasts and recordings

Bruce Springsteen - The Seeger Sessions Live, a video recording of a May 9, 2006 performance in London's St Luke Old Street church, was filmed by the BBC and also broadcast in the U.S. by PBS.

In addition, performances sequences from the tour were included on the expanded DVD portions of the October 2006 We Shall Overcome: The Seeger Sessions - American Land Edition album reissue.

Three late-in-tour shows at The Point Depot in Dublin were filmed, to materialize in June 2007 on the Bruce Springsteen with The Sessions Band: Live in Dublin DVD, Blu-ray, and CD, a release whose title represented a belated removal of the Seeger connotation from the venture (and one that has been kept since).[21] A 90-minute theatrical version played in various U.S. major cities on June 4, 2007, the day before the commercial release of the DVD/CD.

Tour Dates

Date City Country Venue Attendance Revenue
North America
April 30, 2006 New Orleans United States New Orleans Fairgrounds
May 5, 2006 Dublin Ireland Point Theatre 8,384 / 8,384 $778,879
May 7, 2006 Manchester England Manchester Evening News Arena
May 8, 2006 London Hammersmith Apollo
May 10, 2006 Paris France Palais Omnisports de Paris-Bercy
May 12, 2006 Milan Italy Datch Forum
May 14, 2006 Barcelona Spain Pavelló Olímpic de Badalona
May 16, 2006 Amsterdam Netherlands Heineken Music Hall
May 17, 2006 Frankfurt Germany Festhalle Frankfurt
May 20, 2006 Oslo Norway Oslo Spektrum
May 21, 2006 Stockholm Sweden Hovet
North America
May 27, 2006 Mansfield United States Tweeter Center
May 28, 2006 Bristow Nissan Pavilion
May 30, 2006 Columbus Germain Amphitheater
May 31, 2006 Noblesville Verizon Wireless Music Center
June 3, 2006 Glendale Glendale Arena
June 5, 2006 Los Angeles Greek Theatre
June 6, 2006 Concord Sleep Train Pavilion
June 10, 2006 Des Moines Wells Fargo Arena 4,421 / 7,046 $391,830
June 11, 2006 Saint Paul Xcel Energy Center
June 13, 2006 Tinley Park First Midwest Bank Amphitheatre
June 14, 2006 Milwaukee Bradley Center
June 16, 2006 Cuyahoga Falls Blossom Music Center 6,505 / 6,505 $416,572
June 17, 2006 Clarkston DTE Energy Music Theatre 8,035 / 15,539 $547,400
June 19, 2006 Saratoga Springs Saratoga Springs Performing Arts Center 8,498 / 15,035 $566,556
June 20, 2006 Camden Tweeter Center at the Waterfront 11,422 / 23,313 $799,758
June 22, 2006 New York City Madison Square Garden 12,945 / 12,945 $1,027,015
June 24, 2006 Holmdel PNC Bank Arts Center 27,637 / 28,014 $1,724,637
June 25, 2006
October 1, 2006 Bologna Italy Palamalaguti
October 2, 2006 Turin Palaisozaki
October 4, 2006 Udine Villa Manin
October 5, 2006 Verona Verona Arena
October 7, 2006 Perugia Arena Santa Giuliana
October 8, 2006 Caserta PalaMaggiò
October 10, 2006 Rome PalaLottomatica
October 12, 2006 Hamburg Germany Color Line Arena
October 13, 2006 Rotterdam Netherlands Sportpaleis Ahoy
October 19, 2006 Madrid Spain Plaza de Toros de Las Ventas
October 21, 2006 Valencia Estadi Ciutat de València
October 22, 2006 Granada Plaza de Toros de Granada
October 24, 2006 Barcelona Palau Sant Jordi
October 25, 2006 Santander Palacio de Deportes de Santander
October 28, 2006 Copenhagen Denmark Parken Stadium
October 29, 2006 Oslo Norway Oslo Spektrum
October 30, 2006 Stockholm Sweden Globe Arena
November 6, 2006 Cologne Germany Kölnarena
November 7, 2006 Antwerp Belgium Sportpaleis 16,128 / 16,139 $1,514,231
November 9, 2006 Birmingham England National Exhibition Centre
November 11, 2006 London Wembley Arena
November 12, 2006
November 14, 2006 Sheffield Hallam FM Arena
November 17, 2006 Dublin Ireland Point Theatre 25,056 / 25,056 $2,360,668
November 18, 2006
November 19, 2006
November 21, 2006 Belfast Northern Ireland Odyssey Arena 9,794 / 9,794 $943,614

Songs performed



The band ranged in size from 17 and 20 members on stage, depending upon availability on a given night. About half the members had played on the Seeger Sessions album, while the other half were new.

Scialfa missed a number of shows (especially in Europe) due to family duties.
Pender and La Bamba missed some shows, or parts of shows, due to Late Night with Conan O'Brien commitments.


  1. ^  
  2. ^ a b "Setlists: 2006".   See "May 12 / Milan, Italy / Forum" and "May 14 / Badalona, Spain / Pavelló Olímpic" entries.
  3. ^ a b c  
  4. ^ J. Freedom du Lac (2006-05-30). "Detour From E Street".  
  5. ^ a b c Melissa Block (2006-04-26). "Springsteen Speaks: The Music of Pete Seeger".  
  6. ^ a b c d Jeff Vrabel (2006-05-31). "Bruce Springsteen and the Seeger Sessions Band".  
  7. ^ a b  
  8. ^ a b Glenn Gamboa (2006-06-24). "Boss' folksy party is a hit-and-miss affair" (fee required).  
  9. ^ "Setlists: 2006".   See "November 17 / Dublin, IRL / The Point Depot" entry.
  10. ^ "Setlists: 2006".   See "November 11 / London, GBR / Wembley Arena" entry.
  11. ^ "Springsteen rocks N.J. for TV show".  
  12. ^ "US Tour Announced for Bruce Springsteen with the Seeger Sessions Band" (Press release).  
  13. ^ "Setlists: 2006".   See "May 30 / Columbus, OH / Germain Amphitheatre" entry.
  14. ^ Dave Tianen (2006-06-15). "Born to strum: Springsteen rouses crowd with renditions of classic folk".  
  15. ^ Dan Barry (June 28, 2006). "The Boss Lets Freedom Ring, With Banjo".  
  16. ^ Michael Riley (2006-06-27). "Running on all cylinders".  
  17. ^ "Setlists: 2006".   See "June 25 / Holmdel, NJ / PNC Bank Arts Center" entry.
  18. ^ "Third Bruce Springsteen gig in Dublin sells out".  
  19. ^ "News Archive: August 2007".   See "Dates are set; Bruce revs up E Street Machine for Fall" entry.
  20. ^ Erik Remec. "Bruce Springsteen - Magic". FREE! Magazine. Retrieved 2008-05-25. 
  21. ^ "Statement" (Press release).   Shows a musician having been "a member of the Sessions Band."
  22. ^
  23. ^
  24. ^
This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.