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Gilberto Gil

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Title: Gilberto Gil  
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Gilberto Gil

Gilberto Gil
Born Gilberto Passos Gil Moreira
(1942-06-26) 26 June 1942
Salvador, Bahia, Brazil
Education BBA, Universidade Federal da Bahia
Occupation Musician
Political party Partido Verde
Website .br.comgilbertogil

Gilberto Passos Gil Moreira (born 26 June 1942), better known as Gilberto Gil (Brazilian Portuguese:  or ), is a Brazilian singer, guitarist, and songwriter, known for both his musical innovation and political commitment. From 2003 to 2008, he served as Brazil's Minister of Culture in the administration of President Luiz Inácio Lula da Silva. Gil's musical style incorporates an eclectic range of influences, including Rock music, Brazilian genres including samba, African music, and reggae.

Gil started to play music as a child and was still a teenager when he joined his first band. He began his career as a bossa nova musician, and then grew to write songs that reflected a focus on political awareness and social activism. He was a key figure in the Música popular brasileira and tropicália movements of the 1960s, alongside artists such as longtime collaborator Caetano Veloso. The Brazilian military regime that took power in 1964 saw both Gil and Veloso as a threat, and the two were held for nine months in 1969 before they were told to leave the country. Gil moved to London, but returned to Bahia in 1972 and continued his musical career, as well as working as a politician and environmental advocate.


  • Biography 1
    • Early years (1942–1963) 1.1
    • Musical career (1963–present) 1.2
    • Political career (1987–present) 1.3
    • Personal life 1.4
  • Musical style and influences 2
  • Discography 3
  • Awards, nominations, and positions 4
  • References 5
    • Sources 5.1
  • External links 6


Early years (1942–1963)

Gil was born in Salvador, an industrial city in the northeast of Brazil, though he spent much of his childhood in nearby Ituaçu. Ituaçu was a small town of fewer than a thousand, located in the sertão, or countryside, of Bahia.[1] His father, José Gil Moreira, was a doctor; his mother, Claudina Passos Gil Moreira, an elementary school teacher.[1][2] As a young boy, he attended a Marist Brothers school.[3] Gil remained in Ituaçu until he was nine years old, returning to Salvador for secondary school.

Gil's interest in music was precocious: "When I was only two or two and a half," he recalled, "I told my mother I was going to become a musician or a president of my country."[4] He grew up listening to the forró music of his native northeast,[2] and took an interest in the street performers of Salvador.[5] Early on, he began to play the drums and the trumpet, through listening to Bob Nelson on the radio.[6] Gil's mother was the "chief supporter" in his musical ambitions; she bought him an accordion and, when he was ten years old, sent him to music school in Salvador which he attended for four years.[1][4] As an accordionist, Gil first played classical music, but grew more interested in the folk and popular music of Brazil.[1] He was particularly influenced by singer and accordion player Luiz Gonzaga; he began to sing and play the accordion in an emulation of Gonzaga's recordings.[7] Gil has noted that he grew to identify with Gonzaga "because he sang about the world around [him], the world that [he] encountered."[8]

During his years in Salvador, Gil also encountered the music of songwriter Dorival Caymmi, who he says represented to him the "beach-oriented" samba music of Salvador.[8] Gonzaga and Caymmi were Gil's formative influences.[1] While in Salvador, Gil was introduced to many other styles of music, including American big band jazz and tango.[8] In 1950 Gil moved back to Salvador with his family. It was there, while still in high school, that he joined his first band, Os Desafinados (The Out of Tunes), in which he played accordion and vibraphone and sang.[1] Os Desafinados was influenced by American rock and roll musicians like Elvis Presley, as well as singing groups from Rio de Janeiro.[1] The band was active for two to three years. Soon afterwards, inspired by Brazilian star João Gilberto, he settled on the guitar as his primary instrument and began to play bossa nova.[5]

Musical career (1963–present)

Gil met guitarist and singer Caetano Veloso at the Universidade Federal da Bahia (Federal University of Bahia) in 1963. The two immediately began collaborating and performing together, releasing a single and EP soon afterwards.[2] Along with Maria Bethânia (Veloso's sister), Gal Costa, and Tom Zé, Gil and Veloso performed bossa nova and traditional Brazilian songs at the Vila Velha Theatre's opening night in July 1964, a show entitled Nós, por Exemplo (Us, for Example).[6] Gil and the group continued to perform at the venue and he eventually became a musical director of the concert series.[9] Gil collaborated again with members of this collective on the landmark 1968 album Tropicália: ou Panis et Circenses, whose style was influenced by The Beatles' Sgt. Pepper's Lonely Hearts Club Band, an album Gil listened to constantly.[10] Gil describes Tropicália: ou Panis et Circenses as the birth of the tropicália movement.[1] As Gil describes it, tropicália (or Tropicalismo) was a conflation of musical and cultural developments that had occurred in Brazil during the 1950s and 1960s—primarily bossa nova and the Jovem Guarda (Young Wave) collective—with rock and roll music from the United States and Europe, a movement deemed threatening by the Brazilian government of the time.[11]

Early on in the 1960s, Gil earned income primarily from selling bananas in a shopping mall and composing jingles for television advertisements;[5] he was also briefly employed by the Brazilian division of Unilever, Gessy-Lever.[6] He moved to São Paulo in 1965 and had a hit single when his song "Louvação" (which later appeared on the album of the same name) was released by Elis Regina. However, his first hit as a solo artist was the 1969 song "Aquele Abraço".[5] Gil also performed in several television programs throughout the 1960s, which often included other "tropicalistas", members of the Tropicalismo movement.[6] One of these programs, Divino Maravilhoso, which featured Veloso, gained attention from government television censors after it aired a satirical version of the national anthem in December 1968.[12]

In February 1969 Gil and Veloso were arrested by the Glastonbury Free Festival[17] and was exposed to reggae while living in London; he recalls listening to Bob Marley (whose songs he later covered), Jimmy Cliff, and Burning Spear.[1] He was heavily influenced by and involved with the city's rock scene as well, performing with Yes, Pink Floyd, and the Incredible String Band.[1][5] However, he also performed solo, recording Gilberto Gil (Nêga) while in London. In addition to involvement in the reggae and rock scenes, Gil attended performances by jazz artists, including Miles Davis and Sun Ra.[1]

Gilberto Gil performing in 2007

When he went back to Bahia in 1972, Gil focused on his musical career and environmental advocacy work.[18] He released Expresso 2222 the same year, from which two popular singles were released. Gil toured the United States and recorded an English-language album as well, continuing to release a steady stream of albums throughout the 1970s, including Realce and Refazenda. In the early 1970s Gil participated in a resurgence of the Afro-Brazilian afoxé tradition in Carnaval, joining the Filhos de Gandhi (Sons of Gandhi) performance group,[19] which only allowed black Brazilians to join.[20] Gil also recorded a song titled "Patuscada de Gandhi" written about the Filhos de Gandhi that appeared on his 1977 album Refavela. Greater attention was paid to afoxé groups in Carnaval because of the publicity that Gil had provided to them through his involvement; the groups increased in size as well.[21] In the late 1970s he left Brazil for Africa and visited Senegal, Ivory Coast, and Nigeria. He also worked with Jimmy Cliff and released a cover of "No Woman, No Cry" with him in 1980, a number one hit that introduced reggae to Brazil.[5]

In 1996, Gil contributed "Refazenda" to the AIDS-Benefit Album Red Hot Organization.

In 1998 the live version of his album Quanta won Gil the Grammy Award for Best World Music Album. In 2005 he won the Grammy Award for Best Contemporary World Music Album for Eletracústico. In May 2005 he was awarded the Polar Music Prize by Carl XVI Gustaf of Sweden in Stockholm,[22] the prize's first Latin American recipient. On October 16 of the same year he received the Légion d'honneur from the French government, coinciding with the Année du Brésil en France (Brazil's Year in France).[23]

In 2010 he released the album Fé Na Festa, a record devoted to

  • Official site
  • Transcript of a Gil speech
  • Essay written by Gil (licensed under the Creative Commons Attribution 2.5)
  • Music Is Pleasure: An Interview with Gilberto Gil
  • Wide-ranging one-hour interview with Amy Goodman on Democracy Now!, June 25, 2008 (video, audio, and print transcript)
  • Gilberto Gil discography on

External links

  • Crook, Larry (2005). Brazilian Music: Northeastern Traditions and the Heartbeat of a Modern Nation.  


  1. ^ a b c d e f g h i j k l m n o  
  2. ^ a b c d e Tepel, Oliver (August 7, 2006). "Gilberto Gil". The international artist database. Retrieved 2008-03-15. 
  3. ^ Veloso (2003), p. 180
  4. ^ a b c d Quinn, Mike (September 17, 1999). "Mixing Miami With Copacabana".  
  5. ^ a b c d e f Skelly, Richard. "Biography".  
  6. ^ a b c d Tourneen, Saudades. "Gilberto Gil". Europe Jazz Network. Retrieved 2008-03-16. 
  7. ^ Wald (2007), pp. 113–116
  8. ^ a b c Myers, Robert; Gil, Gilberto (1990). "Brazilian Popular Music in Bahia: 'The Politics of the Future': An Interview with Gilberto Gil". Studies in Latin American Popular Culture ( 
  9. ^ Veloso (2003), p. 46
  10. ^ Barteldes, Ernest (March 29, 2007). "Gilberto Gil".  
  11. ^ a b c  
  12. ^ Dunn, Christopher;  
  13. ^ Veloso (2003), pp. 219–220
  14. ^ a b  
  15. ^ McCarthy, Julie (March 3, 2007). "Brazilian Culture Minister Rocks Out with New Album" (radio).  
  16. ^ Veloso (2003), pp. 262–263
  17. ^ a b Lewis, John (July 15, 2010). "Gilberto Gil and Caetano Veloso in London".  
  18. ^ a b Staff (September 1, 2003). "Brazil's Gilberto Gil, minister of cool".  
  19. ^ Crook (2005), p. 141
  20. ^ Carvalho, José Jorge de (1993). "Black Music of All Colors: The Construction of Black Ethnicity in Ritual and Popular Genres of Afro-Brazilian Music" (PDF).  
  21. ^ Crook (2005), pp. 142–143
  22. ^ Staff (May 4, 2005). "Gilberto Gil Receives Polar Music Prize".  
  23. ^ Durand, Fabien (October 13, 2005). "Cérémonie de remise des insignes de Grand Officier dans l'ordre national de la Légion d'honneur à Gilberto Gil". (in French). Retrieved 2008-03-18. 
  24. ^ Russ Slater (July 27, 2010). "Gilberto Gil at Royal Festival Hall – July 21st". Sounds and Colours. Retrieved 2010-07-27. 
  25. ^ TIDE to “day-and-date” release Gilberto Gil doc in ten countries, SCREEN Daily, February 27, 2013, by Melanie Goodfellow
  26. ^ a b  
  27. ^ Steward, Sue (October 19, 2003). "Minister of cool: part one".  
  28. ^ Staff (2004). "Gilberto Gil:: vida". (in Portuguese). Gege Produções Artísticas Ltda. Archived from the original on June 12, 2008. Retrieved 2008-05-03. 
  29. ^ Staff. "Singer Gilberto Gil". FAO Ambassadors Programme.  
  30. ^ a b  
  31. ^  
  32. ^  
  33. ^ Werman, Marco (March 22, 2007). "Gilberto Gil" (radio).  
  34. ^ The New York Times (November 12, 2007). "Gilberto Gil to Resign".  
  35. ^ "Brazil musician leaves government".  
  36. ^ a b Astor, Michael (March 16, 2007). "Brazilian pop star Gil tours U.S.".  
  37. ^ Staff (August 22, 2006). "Brazilians Reject Marijuana Legalization". Angus Reid Global Monitor. Retrieved 2008-03-23. 
  38. ^  
  39. ^ a b Veloso (2003), p. 191
  40. ^ a b c  
  41. ^ Staff (July 1, 2003). "'Brazil has a new energy'".  
  42. ^ Crook (2005), p. 82
  43. ^ Eyre, Banning; Gil, Gilberto (June 3, 1995). "Interview: Gilberto Gil (1995)". Afropop Worldwide. Retrieved 2008-05-03. 


Political offices
Preceded by
Francisco Weffort
Minister of Culture of Brazil
Succeeded by
Juca Ferreira
Year Work Award Result
1981 N/A Anchieta Medal—São Paulo City Council Won
1986 N/A The Gold Dolphin—Government of the State of Rio de Janeiro Won
1990 N/A Ordre des Arts et des LettresMinistry of Culture of France Won
1990 N/A Commendator of the Order of Rio Branco Won
1997 N/A Ordre national du Mérite Won
1999 Quanta Live Grammy AwardBest World Music Album Won
1999 N/A Order of Cultural Merit—Ministry of Culture Won
1999 N/A UNESCO Artist for Peace—United Nations Won
2001 Eu Tu Eles Cinema Brazil Grand Prize—Best Music Nominated
2001 As Canções De Eu, Tu, Eles Latin Grammy Award—Brazilian Roots/Regional Album Won
2001 N/A Food and Agriculture Organization Won
2002 Viva São João! Passista Trophy—Long Documentary – Best Score Won
2002 São João Vivo Latin Grammy Award—Best Brazilian Roots/Regional Album Won
2005 Eletracústico Grammy AwardBest Contemporary World Music Album Won
2005 N/A Polar Music Prize Won
2005 N/A Légion d'honneur Won

Awards, nominations, and positions


Conversely, his 1980s musical repertoire presented an increased development of dance trends, such as disco and soul, as well as the previous incorporation of rock and punk.[40] However, Gil says that his 1994 album Acoustic was not such a new direction, as he had previously performed unplugged with Caetano Veloso. He describes the method of playing as easier than other types of performance, as the energy of acoustic playing is simple and influenced by its roots.[43] Gil has been criticized for a conflicting involvement in both authentic Brazilian music and the worldwide musical arena. He has had to walk a fine line, simultaneously remaining true to traditional Bahian styles and engaging with commercial markets. Listeners in Bahia have been much more accepting of his blend of music styles, while those in southeast Brazil felt at odds with it.[40]

Visiting Lagos, Nigeria, in 1976 for the Festival of African Culture (FESTAC), Gil met fellow musicians Fela Kuti and Stevie Wonder.[1] He became inspired by African music and later integrated some of the styles he had heard in Africa, such as juju and highlife, into his own recordings.[41] One of the most famous of these African-influenced records was the 1977 album Refavela, which included "No Norte da Saudade" (To the North of Sadness), a song heavily influenced by reggae.[42] When Gil returned to Brazil after the visit, he focused on Afro-Brazilian culture, becoming a member of the Carnaval afoxé group Filhos de Gandhi.

[40] form of passing along fundamental messages".Heideggerian. He described the genre as "a form of democratizing, internationalizing, speaking a new language, a reggae After the height of tropicália in the 1960s, Gil became increasingly interested in black culture, particularly in the Jamaican musical genre of [39] As one of the pioneers of tropicália, influences from genres such as rock and

Gil is a tenor, but he sings in the baritone or falsetto register, with lyrics and/or scat syllables. His lyrics are on subjects that range from philosophy to religion, folktales, and word play.[38] Gil's musical style incorporates a broad range of influences. The first music he was exposed to included The Beatles and street performers in various metropolitan areas of Bahia. During his first years as a musician, Gil performed primarily in a blend of traditional Brazilian styles with two-step rhythms, such as baião and samba.[4] He states that "My first phase was one of traditional forms. Nothing experimental at all. Caetano [Veloso] and I followed in the tradition of Luiz Gonzaga and Jackson do Pandeiro, combining samba with northeastern music."[4]

Gil recorded "Oslodum" for the 2004 compilation album The Wired CD, an album composed of songs licensed under the Creative Commons. The song is heavily influenced by samba reggae, one of the many elements of Gil's style. The title is a play on the name Olodum, a major samba reggae cultural group based in Salvador, Bahia, Brazil.

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Musical style and influences

Gil has been open about the fact that he has smoked marijuana for much of his life. He has said he believes "that drugs should be treated like pharmaceuticals, legalized, although under the same regulations and monitoring as medicines".[37]

Gil's religious beliefs have changed significantly over his lifetime. Originally, he was a Christian, but was later influenced by Eastern philosophy and religion, and, later still, explored African spirituality. He is now an agnostic.[36] He practices yoga and is a vegetarian.[11]

Gil has been married four times. His fourth wife is Flora Nair Giordano Gil Moreira. The couple has five children, four of whom are still living. The fifth child – Pedro Gil, Egotrip's drummer – died in a car accident in 1990.[36] Preta Gil, an actress and singer, is his daughter.

Personal life

When President Luiz Inácio Lula da Silva took office in January 2003, he chose Gil as Brazil's new Minister of Culture, only the second black person to serve in the country's cabinet. The appointment was controversial among political and artistic figures and the Brazilian press; a remark Gil made about difficulties with his salary received particular criticism.[30] Gil is not a member of Lula's Workers' Party and did not participate in creating its cultural program.[30] Shortly after becoming Minister, Gil began a partnership between Brazil and Creative Commons. As Minister, he has sponsored a program called Culture Points, which gives grants to provide music technology and education to people living in poor areas of the country's cities.[31] Gil has since asserted that "You've now got young people who are becoming designers, who are making it into media and being used more and more by television and samba schools and revitalizing degraded neighborhoods. It's a different vision of the role of government, a new role."[32] Gil has also expressed interest in a program that will establish an Internet repository of freely downloadable Brazilian music.[14] Since Gil's appointment, the department's expenditures have increased by over 50 percent.[33] In November 2007 Gil announced his intention to resign from his post due to a vocal cord polyp.[34] Lula rejected Gil's first two attempts to resign, but accepted another request in July 2008. Lula said on this occasion that Gil was "going back to being a great artist, going back to giving priority to what is most important" to him.[35]

[29] In 1988, he was elected to the city council and subsequently became city commissioner for environmental protection. However, he left the office after one term and declined to run for the [27] His political career began in 1987, when he was elected to a local post in Bahia and became the Salvador secretary of culture.[26] Gil describes his attitude towards politics thus: "I'd rather see my position in the government as that of an administrator or manager. But politics is a necessary ingredient."

Political career (1987–present)


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