World Library  
Flag as Inappropriate
Email this Article
 

Shaw Brothers Studio

Shaw Brothers (HK) Ltd.
Public company
Industry Film production
Founded 27 December 1958
Defunct 28 November 2011
Headquarters Hong Kong (main; English-speaking)
Macau (main; Portuguese-speaking)
Kuching, Sarawak (Malaysian)
Products Films
Shaw Brothers Studio
Shaw Studios, Tseung Kwan O, Hong Kong
Chinese 邵氏片場

Shaw Brothers (HK) Ltd. (Chinese: 邵氏兄弟(香港)有限公司) was the largest film production company of Hong Kong.

In 1925, the three Shaw brothers—Shaw Organization. Shaw Brothers took over the film production business of its Hong Kong-based sister company, Shaw & Sons Ltd., in 1958.

Over the years Shaw Brothers produced some 1,000 films, before film production was suspended in 1987 to concentrate on the television industry, through its subsidiary TVB. Film production resumed in 2009.

In 2011 Shaw Brothers was reorganized into the Clear Water Bay Land Company Limited, its film production business being taken over by other companies within the Shaw conglomerate.

Contents

  • History 1
  • Legacy 2
    • Directors 2.1
    • Actors 2.2
  • Celestial Pictures acquisition and distribution 3
    • Karmaloop TV's licensing deal 3.1
  • Shaw Studios 4
  • See also 5
  • References 6
  • Further reading 7
  • External links 8

History

Runje Shaw, the eldest Shaw brother who started the film empire

Prior to their involvement in the film-making business, the Shaw brothers were interested in opera and owned a theatre in Shanghai, and their father also owned a cinema.[1] One of the plays in their theatre, The Man from Shensi was very popular. The Shaw brothers then bought their first camera and Runje Shaw made this play into a silent film which turned out to be a success.[2] Runje Shaw and his brothers Runde and Runme formed a film production company in 1924 in Shanghai called the Tianyi Film Company (also known as Unique).[3][4] The company's earliest films, New Leaf (立地成佛) and Heroine Li Feifei (女侠李飛飛), were shown in Shanghai in 1925.[5][6]

A rival studio, Mingxing Film Company formed a syndicate with 5 other Shanghai companies to monopolize the distribution and exhibition markets and to exclude Tianyi films from being shown in theatre chains in Shanghai and Southeast Asia.[7] The brothers therefore became interested in forming their own network, and Runme Shaw, who was then the distribution manager, traveled to Singapore to establish a movie distribution business for Southeast Asia.[4] Runme incorporated the Hai Seng Co. (海星, which later became the Shaw Brothers Pte Ltd) to distributed films made by Tianyi and other studios. In 1927, they operated their own cinema in Tanjong Pagar in Singapore,[1] expanded in Malaya and opened four cinemas there.[8] The number of cinemas owned by Shaw chain in South East Asia would eventually reached 200 by the 1970s before it declined.[2] In 1928 Run Run Shaw moved to Singapore to assist Runme.

In 1931, the Tianyi Studio in Shanghai produced what is considered by some to be the very first Runde Shaw as the studio head.[11] They also started making Malay films in 1937 in Singapore under the studio named Malay Film Productions which, apart from a period of interruption due to Japanese invasion, lasted until 1967.[12][13]

Run Run Shaw in 1927.

The Shaw Brothers continued to expand, but suffered a setback during the Second World War when the Japanese The Magnificent Concubine, The Love Eterne, as well as One-Armed Swordsman which broke the box office records and spawned multiple sequels.[17] The studio popularized the kung-fu genre of films, which later included Five Fingers of Death and The 36th Chamber of Shaolin.[18] Sir Run Run Shaw became involved in television when TVB was launched in 1967.[17] In 1969, Shaw Brothers (HK) issued shares and became a public listed company.

In the 1970s, Shaw Brothers faced a strong challenge from a new studio

  • Shaw Studios
  • Shaw.intercontinental.com—official site ((English)/(Chinese) (Big5))
  • The Shaw Story—at the official company website.
  • Shaw Brothers History — at Hong Kong Cinema UK.
  • Shaw-Brothers_Reloaded - Global international site
  • The Rise and Fall of the House of Shaw - scholarly essay by Tom Green.

External links

  • Glaessner, Verina. Kung Fu: Cinema of Vengeance. London: Lorimer; New York: Bounty Books, 1974. ISBN 0-85647-045-7, ISBN 0-517-51831-7.
  • Wong, Ain-ling. The Shaw Screen: A Preliminary Study. Hong Kong: Hong Kong Film Archive, 2003. ISBN 962-8050-21-4.
  • Zhong, Baoxian. "Hollywood of the East" in the Making: The Cathay Organization Vs. the Shaw Organization in Post-War Hong Kong. [Hong Kong]: Centre for China Urban and Regional Studies, Hong Kong Baptist University, 2004. ISBN 962-8804-44-8.
  • Zhong, Baoxian. Moguls of the Chinese Cinema: The Story of the Shaw Brothers in Shanghai, Hong Kong and Singapore, 1924–2002. Working paper series (David C. Lam Institute for East-West Studies); no. 44. Hong Kong: David C. Lam Institute for East-West Studies, Hong Kong Baptist University, 2005.

Further reading

  1. ^ a b
  2. ^ a b
  3. ^
  4. ^ a b c d
  5. ^
  6. ^
  7. ^ a b c
  8. ^
  9. ^
  10. ^
  11. ^
  12. ^
  13. ^
  14. ^
  15. ^
  16. ^
  17. ^ a b
  18. ^
  19. ^
  20. ^
  21. ^
  22. ^
  23. ^

References

See also

A new Shaw Studios (note the plural s) has been built at Tseung Kwan O Industrial Estate, and was opened in stages between 2006 and 2008.

The Clearwater Bay site at Clearwater Bay Road and Ngan Ying Road is the former home of Shaw Studio (built 1960–1961), as well as the vacated TVB headquarters and studios (1986–2003, since relocated to TVB City) and Celestial Pictures.[22] There are also apartment blocks used to house Shaw actors. The newer Shaw House and Shaw Villa are there. The studio site has been vacant since 2003 and will likely be re-developed with no new tenants targeted.[23]

Shaw Studios

The licensing deal with Karmaloop TV means that kung fu and action fans in the United States will see these films in their digitally restored versions, many of which will be premiering for the first time on U.S. television in high definition. The licensed collection includes more than 60 of the greatest martial arts masterpieces, movies which launched the careers of stars like Jet Li, Ti Lung, David Chiang, Alexander Fu Sheng, Gordon Liu and Jimmy Wang Yu.

Karmaloop TV, a multi-platform programming network designed to help operators "reclaim" viewership among the 18- to 34-year-old demographic, announced its first film licensing deal with Celestial Pictures. The Hong Kong-based company owns, restores and licenses the world's largest collection of Chinese-made films including the Shaw Brothers library of fan favorite kung fu and action classics such as The 36th Chamber of Shaolin, Five Deadly Venoms and The One-Armed Swordsman.

Karmaloop TV's licensing deal

Many Shaw Brothers classic films have been bootlegged due to the popularity of particular kung fu/martial arts titles. Celestial Pictures acquired rights to the Shaw Studio's legacy and is releasing, on DVD, 760 out of the nearly 1,000 films with restored picture and sound quality. Many of these DVDs have come under controversy, however, for remixing audio and not including the original mono soundtracks.

Celestial Pictures acquisition and distribution

Better-known female martial arts actresses of the Shaw Studio include Cheng Pei-pei, Lily Ho, Lily Li and Kara Hui Ying-Hung. Cheng Pei-pei in particular is relatively well known for her starring role in King Hu's Come Drink with Me and more recently in Ang Lee's Crouching Tiger, Hidden Dragon as Jade Fox.

Members of the Peking Opera School, including Jackie Chan, Yuen Biao and Sammo Hung, played extras and bit parts in several Shaw Brothers films in the 1970s, although they were unknowns at the time.

In the first half of the 1970s, two other stars were particularly well known and favoured by the "Million-Dollar Director" Chang Cheh in his movies: Ti Lung and David Chiang. Ti Lung is considered one of the most, if not the most handsome martial arts actor to grace the Shaw Studio. He is also accredited as a capable actor who reinforced his muscular glamour with strong characterisation over his many films. Chiang, on the other hand, was slight and wiry and often played sarcastic anti-hero to Lung's standard archetype. Chang Cheh with his stars Ti Lung and David Chiang were known as the cinematic "Iron Triangle" throughout Southeast Asia. In the middle of that decade the duo were overshadowed by the rise of Alexander Fu Sheng who had played supporting roles opposite them on many occasions. Fu was killed in 1983 in a car accident, at age 28, ending a brief but spectacular career.

From the late 1960s onward, production of dramatic features was reduced in favour of martial arts features. The group from the 1978 release Five Deadly Venoms—who would become known by that namesake—were among the most memorable. They were Lo Mang, Lu Feng, Sun Chien, Chiang Sheng and Kuo Chui, who had been stars in the Shaw Studio for years but did not become memorable faces until Five Deadly Venoms. Wei Pai, who played the Snake (referred to as "Number Two" throughout the film Five Deadly Venoms) was also part of the Venom Mob which numbered over 15 actors who appeared in almost all of the Venom movies.

During the late 1950s to early '60s productions of the Shaw Studio were dominated by actresses like Li Li-Hua, Ivy Ling Po, Linda Lin Dai, Betty Loh Ti and Li Ching in dramatic and romantic features. In particular, the Huangmei opera The Love Eterne, starring Ivy Ling Po and Betty Loh Ti based upon the Butterfly Lovers folk legend from the Jin Dynasty, is one of the highest grossing features of the Shaw Studio. Its huge success is in part due to the ingenious casting of Ivy Ling Po, who was a relatively unknown supporting actress, as the male lead. In the story of Butterfly Lovers the female lead played by Betty Loh Ti disguised as a male to attend college because social mingling between the sexes was forbidden. The film resonated its audience, and reportedly some members of the audience in Hong Kong and Taiwan repeatedly bought tickets and watched the feature in cinema over and over again in 1962, with some watching it over 20 times.

Shaw Brothers was modeled after the classic Hollywood system with hundreds of actors signed to exclusive contracts. While other studios rotated cast members, Shaw Brothers assigned certain groups of actors to work exclusively with certain directors.

A movie theater in Saigon (today's Ho Chi Minh City), South Vietnam, 1967, advertising for The Thundering Sword starring the "queen of swords" Cheng Pei-pei.

Actors

Shaw Brothers is noted for film directors such as King Hu, Lau Kar-leung and Chang Cheh. King Hu was an early director who is best remembered for his film Come Drink with Me, a martial arts film which differed from those of Chang Cheh in that it featured a capable female protagonist and revolved around romance in the martial arts world, rather than fast-paced action and the tales of brotherhood which Chang Cheh would later popularize. Chang Cheh, who was more fond of the latter components, would go on to be Shaw Studio's best known director, with such films as Five Deadly Venoms, The Brave Archer (based on the works of Jin Yong), One-Armed Swordsman, and other classics of Wuxia and Wushu film. Almost equally as famous was fight choreographer turned director Lau Kar-leung, who would produce such highly regarded kung fu films as The 36th Chamber of Shaolin and The Eight Diagram Pole Fighter.

Directors

Legacy

, Hong Kong. Tseung Kwan O Shaw Studios has since relocated to a new site in [21] In the 1990s, Shaw again started making a few films, but no longer on the scale as before.[4]

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and USA.gov, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
 
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
 
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.
 


Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.