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Tweety in the Friz Freleng design. This is also his current appearance.
First appearance A Tale of Two Kitties (November 21, 1942)
Created by Bob Clampett (original)
Friz Freleng (final redesign)
Voiced by Mel Blanc (1942-1989); (I Tawt I Taw a Puddy Tat)
Jeff Bergman (1990-1993, 2011-current)
Bob Bergen (1990-present)
Joe Alaskey (1995-2003)
Eric Goldberg (Looney Tunes: Back in Action)
Billy West (Museum Scream)
Greg Burson (Animaniacs)
Frank Gorshin (Superior Duck)
Aliases Tweety Bird
Species Yellow canary
Gender Male
Nationality American

Tweety (Tweety Bird) is an animated fictional yellow canary in the Warner Bros. Looney Tunes and Merrie Melodies series of animated cartoons. The name "Tweety" is a play on words, as it originally meant "sweetie", along with "tweet" being a typical English onomatopoeia for the sounds of birds. His characteristics are based on Red Skelton's famous "Mean Widdle Kid." Tweety appeared in 47 cartoons in the golden age.


  • Personality and identity 1
  • Creation by Bob Clampett 2
  • Freleng takes over 3
  • Later appearances 4
  • Modern art 5
  • Comic books 6
  • Tweety's Looney Tunes/Merrie Melodies filmography 7
    • Directed by Bob Clampett 7.1
    • Directed by Friz Freleng 7.2
    • Directed by Gerry Chiniquy 7.3
    • Directed by Chuck Jones 7.4
    • Post-Golden Age of American animation 7.5
  • References 8
  • External links 9

Personality and identity

Despite the perceptions that people may hold, owing to the long lashes and high pitched voice (which Mel Blanc provided), Tweety is male, although his ambiguity was played with. For example, in an episode called "Snow Business",[1] when Granny entered a room containing Tweety and Sylvester and said: "Here I am, boys!", whereas a 1951 cartoon was entitled Ain't She Tweet [emphasis added]. Also, his species is ambiguous; although originally and often portrayed as a young canary, he is also frequently called a rare and valuable "tweety bird" as a plot device, and once called "the only living specimen". Nevertheless, the title song of The Sylvester & Tweety Mysteries directly states that the bird is a canary. His shape more closely suggests that of a baby bird, which is what he was during his early appearances (although the "baby bird" aspect has been used in a few later cartoons as a plot device). The yellow feathers were added but otherwise he retained the baby-bird shape.

In his early appearances in Bob Clampett cartoons, Tweety is a very aggressive character who tries anything to foil his foe, even kicking his enemy when he is down. One of his most notable malicious moments is in the cartoon Birdy and the Beast. A cat chases Tweety by flying until he remembers that cats cannot fly, causing him to fall. Tweety says sympathetically, "Awww, the poor kitty cat! He faw down and go (in a loud, tough, masculine voice) BOOM!!" and then grins mischievously. A similar use of that voice is in A Tale Of Two Kitties when Tweety, wearing an air raid warden's helmet, suddenly yells, "Turn out those lights!" Tweety was toned down when Friz Freleng started directing the series into a more cutesy bird, and even more when Granny was introduced, but occasionally Tweety still showed his malicious side.

Creation by Bob Clampett

Tweety's debut in A Tale of Two Kitties

Bob Clampett created the character that would become Tweety in the 1942 short A Tale of Two Kitties, pitting him against two hungry cats named Babbit and Catstello (based on the famous comedians Abbott and Costello). On the original model sheet, Tweety was named Orson (which was also the name of a bird character from an earlier Clampett cartoon Wacky Blackout).

Tweety was originally not a domestic canary, but simply a generic (and wild) baby bird in an outdoors nest – naked (pink), jowly, and also far more aggressive and saucy, as opposed to the later, more well-known version of him as a less hot-tempered (but still somewhat ornery) yellow canary. In the documentary Bugs Bunny: Superstar, animator Clampett stated, in a sotto voce "aside" to the audience, that Tweety had been based "on my own naked baby picture". Clampett did two more shorts with the "naked genius", as a Jimmy Durante-ish cat once called him in A Gruesome Twosome. The second Tweety short, Birdy and the Beast, finally bestowed the baby bird with his new name, and gave him his blue eyes.

Many of Mel Blanc's characters are known for speech impediments. One of Tweety's most noticeable is that /s/, /k/, and /g/ are changed to /t/, /d/, or (final s) /θ/; for example, "pussy cat" comes out as "putty tat", later rendered "puddy tat", and "sweetie pie" comes out as "tweetie pie", hence his name. He also has trouble with liquid sounds; as with Elmer Fudd, /l/ and /r/ tend to come out as /w/. In Canary Row and Putty Tat Trouble, he begins the cartoon singing a song about himself, "I'm a tweet wittow biwd in a gilded cage; Tweety'th my name but I don't know my age. I don't have to wuwy and dat is dat; I'm tafe in hewe fwom dat ol' putty tat." (Translation: "I'm a sweet little bird in a gilded cage...") Aside from this speech challenge, Tweety's voice is that of Bugs Bunny's, only sped up (if The Old Grey Hare, which depicts Bugs as an infant, is any indication of that); the only difference is that Bugs doesn't have trouble pronouncing /s/, /k/ and /g/ as mentioned above.

Freleng takes over

Clampett began work on a short that would pit Tweety against a then-unnamed, lisping black and white cat created by Friz Freleng in 1945. However, Clampett left the studio before going into full production on the short, and Freleng took on the project. Freleng toned Tweety down and gave him a cuter appearance, including large blue eyes and yellow feathers. Clampett mentions in Bugs Bunny: Superstar that the feathers were added to satisfy censors who objected to the naked bird. The first short to team Tweety and the cat, later named Sylvester, was 1947's Tweetie Pie, which won Warner Bros. its first Academy Award for Best Short Subject (Cartoons).

Sylvester and Tweety proved to be one of the most notable pairings in animation history. Most of their cartoons followed a standard formula:

  • The hungry Sylvester wanting to eat the bird, but some major obstacle stands in his way – usually Granny or her bulldog Hector (or occasionally, numerous bulldogs, or another cat who wants to eat Tweety).
  • Tweety saying his signature lines "I tawt I taw a puddy tat!" and "I did! I did taw a puddy tat!" (Originally "I did! I taw a puddy tat!", but the extra "did" got inserted somehow). Eventually, someone must have commented on the grammar of "...did taw..."; in later cartoons, Tweety says "I did! I did tee a puddy tat!".
  • Sylvester spending the entire film using progressively more elaborate schemes or devices to capture his meal, similar to Wile E. Coyote in his ongoing efforts to catch roadrunners. Of course, each of his tricks fail, either due to their flaws or, more often than not, because of intervention by either Hector the Bulldog or an indignant Granny (voiced by Bea Benaderet and later June Foray), or after Tweety steers the enemy toward them or another device (such as off the ledge of a tall building or an oncoming train).

In a few of the cartoons, Sylvester does manage to briefly eat Tweety up with a gulp, however, either Granny or another character makes him spit Tweety out right away. Sylvester was also briefly eaten by Hector the Bulldog, and forced by Granny to spit him out. This occurred during the Christmas special episode, and as a punishment, both Sylvester and Hector were tied up with their mouths gagged shut.

In 1951, Mel Blanc (with Billy May's orchestra) had a hit single with "I Tawt I Taw A Puddy Tat", a song performed in character by Tweety and featuring Sylvester. In the lyrics Sylvester sings "I'd like to eat that Sweetie Pie when he leaves his cage", implying that Tweety's name is actually Sweetie Pie, altered in its pronunciation by Tweetie's rhotacism. Sylvester, who has his own speech issues involving the letters s and p, slobbers the "S" in "Sweetie Pie", just as he would the /s/ sounds in his own name. Later the same name was applied to the young, pink female canary in the Tiny Toon Adventures animated TV series of the early 1990s.

From 1945 until the original Warner Bros. Cartoons studio closed, Freleng had almost exclusive use of Tweety at the Warner cartoon studio (much like Yosemite Sam), with the exception of a brief cameo in No Barking in 1954, directed by Chuck Jones (that year, Freleng used Pepé Le Pew, a Jones character, for the only time in his career and the only time in a Tweety short, Dog Pounded).

Later appearances

Tweety had a cameo appearance in My Book about Me.

Tweety had a small part in Who Framed Roger Rabbit, by making Eddie Valiant (Bob Hoskins) fall from a flag pole by playing "This Wittwe Piddy" with Valiant's fingers and releasing his grip. The scene is essentially a re-creation of a gag from A Tale of Two Kitties, with Valiant replacing Catstello as Tweety's victim.

During the 1990s, Tweety also starred in the animated TV series The Sylvester and Tweety Mysteries, in which Granny ran a detective agency with the assistance of Tweety, Sylvester and Hector. Tweety has the starring role the storyline carries into the 2000 direct-to-video feature-length animated film "Tweety's High-Flying Adventure". He has a girlfriend called Aooga, he is not married, and doesn't have any children. In 2002, a younger version of him premiered on Baby Looney Tunes, thus coming full circle from his earliest appearances.

Tweety appeared in an early 1980s public service announcement, warning parents of the dangers of scalding-temperature bath water.

Tweety appeared in several television specials and feature-film compilations, along with Sylvester, in the 1970s and 1980s.

In the TV series Tiny Toon Adventures, Tweety appeared rarely as the mentor of Sweetie.

On Animaniacs, Tweety had a quick cameo in the Slappy Squirrel short subject, Scare Happy Slappy and appeared in The Warners 65th Anniversary Special.

In the 1995 cartoon short Carrotblanca, a parody/homage to Casablanca, Tweety appeared as "Usmarte", a parody of the character Ugarte played by Peter Lorre in the original film. In several sequences, Tweety was speaking and laughing in character like Peter Lorre. He also does the Looney Tunes ending instead of Porky Pig or Bugs Bunny. This is also notable for being a rare instance where Tweety is playing a villain character.

In a 1995 Frosted Cheerios commercial, Tweety (along with Sylvester) made a rare special appearance.

A 1996 Christmas commercial for Target featuring LeAnn Rimes had Tweety giving her a kiss on the cheek as the other Looney Tunes characters line-danced to Rimes' song "Put a Little Holiday in Your Heart".

In the game Taz: Wanted, Tweety assists Taz in destroying "Wanted" posters and gives him hints throughout the game. In the game, he refers to Taz as "Puddy-Taz" and expresses a dislike for him, thinking that he shouldn't be working with amateurs. At the end of the game, Tweety reveals himself to be the mastermind behind Yosemite Sam's evil plan, and fights Taz in a large robot, but is defeated.

In the television show Loonatics Unleashed, Tweety's descendant, known as The Royal Tweetums, rules the planet Blanc in the care of its present ruler, Queen Grannicus (Granny's descendant). Grannicus didn't want to turn her monarchy over to him, so she hired Sylth Vester (Sylvester's descendant), to eliminate him. But with the help of the Loonatics, Tweetums defeats Grannicus and Sylth Vester.

Tweety appears as part of the TuneSquad team in Space Jam. There, he gets picked on and bullied by the Monsters due to his small size, until he retaliates by using ken po moves on them. He also appears in Looney Tunes: Back in Action, although in his second appearance, this "Tweety" is really the Tasmanian Devil in disguise.

Tweety made a brief cameo in What's New, Scooby-Doo? episode "New Mexico, Old Monster" in a birdwatcher's gallery of rare birds.

Tweety was mentioned in the Total Drama Action episode "One Million Bucks B.C."

In the "La Cuchara" sketch in a 2000 episode of the Mexican comedy series Humor es...Los Comediantes, Aida Pierce is seen wearing a yellow shirt with Tweety's face on it.

In the MAD segment "Dinosaurs with Bird Effects", Sylvester appeared as a saber-toothed cat and Tweety appeared as a dinosaur. In another MAD segment "Body of Pwoof" (a parody of Body of Proof), Tweety appeared as a translator for Elmer Fudd's speech impediment while Elmer, working as a doctor, tries to figure out who killed the Road Runner.

Tweety is featured, with his Looney Tunes co-stars, in Cartoon Network's series, The Looney Tunes Show. He is voiced by Jeff Bergman. He appeared in the episode Ridiculous Journey, where he and Sylvester work together to avoid getting eaten by Taz. He previously was revealed to have fought in WWII alongside a young Granny. Sylvester also asked him how old he was, to which Tweety replied, "I'll never tell." Sylvester then asked if Tweety would at least tell him if he (Tweety) was a boy or a girl. Tweety whispered into his ear and Sylvester had a surprised expression, and said "Huh, I was wrong."

Warner Bros. has also announced he will star in the 3-D short, I Tawt I Taw a Puddy Tat along with Sylvester.[2]

Tweety has appeared in the video games The Bugs Bunny Birthday Blowout, Looney Tunes: Acme Arsenal, Bugs Bunny & Taz: Time Busters, Looney Tunes: Space Race, Looney Tunes: Back in Action, and The Bugs Bunny Crazy Castle 2.

Modern art

British artist Banksy's 2008 New York art installation The Village Pet Store and Charcoal Grill features "Tweety", an animatronic sculpture of an aged and molting version of the character.[3]

Comic books

Western Publications produced a comic book about Tweety and Sylvester entitled Tweety and Sylvester, first in Dell Comics Four Color series #406, 489, and 524, then in their own title from Dell Comics (#4-37, 1954–62), then later from Gold Key Comics (#1-102, 1963–72).

Tweety's Looney Tunes/Merrie Melodies filmography

Directed by Bob Clampett

Directed by Friz Freleng

Directed by Gerry Chiniquy

Directed by Chuck Jones

  • (MM-Merrie Melodies)
  • (LT-Looney Tunes)

Post-Golden Age of American animation


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External links

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